• Ê
  • Â

å Wednesday, September 18th, 2013

í RESEARCH: HISTORICAL EXPERIMENTAL EDUCATION

Our next step in to look at experiments in design education from the past. We’ve identified some programs and who’ll do the research as listed below.

On doing research: Wikipedia and internet are NOT reliable sources for research! Please use print resources unless the internet is the only resource. I recommend that you search through the CalArts library. There’s a search engine on the landing page. You can turn on “Search Worldwide” in drop down options. Select “Advanced Search” and add the databases, “Art Full Text” and “Art Index Retrospective.” Identify few sources that will give you the information below. Don’t get lost!

INCLUDE THE FOLLOWING INFORMATION:

  • What is the program? (Title and bullet points of distinguishing characteristics)
  • When was it?
  • Why did it emerge? (What was it a reaction to? What motivated the founding?)
  • What was the curriculum or model on which the program was based?
  • A picture is always nice!

FORMAT/OUTPUT:

  • Make sure type is big enough that we can quick identify information to compare one program with another.
  • 8.5″ x 11″ pages (1 or 2 per program)
  • Bring printouts to class AND e-mail to me!

PROGRAMS/RESEARCHER:

  • Bauhaus – Sara
  • Cranbrook 2-D and 3-D beginning with the McCoys – Sara
  • Black Mountain – David
  • Aspen Design Conference – David
  • Bruno Munari (experiments and activities with children) – Calvin
  • Ulm – Calvin
  • Global Tools – Eline
  • Norman Potter Construction School – Eline
  • CalArts – Louise
b 1    

One response to “RESEARCH: HISTORICAL EXPERIMENTAL EDUCATION”

  1. Louise says:

    Here’s the assignment due for Tuesday, September 24. Please forward notification of this comment to me at sandhaus@calarts.edu. That way I’ll know that you’re receiving posts and comments on our site. Thanks!

Leave a Reply

Your email address will not be published. Required fields are marked *

SEARCH METHODOLOGIES

Research-Methodologies

 

PDFs

DR Experimental

LS Experimental

CR Experimental

 

LISTS

New Design Ed Approaches/Curriculums

New Design Specializations

  • Research in Art & Design
  • Pratt Programs
  • SVA Products of Design – MFA
  • Interdisciplinary Design Practice
  • MA Applied Craft & Design
  • Information Design – Eindhoven
  • Social Design- Eindhoven
  • Master in Design Studies
  • Post Graduate Research Program
  • Digital Humanities – UCLA. Undergrad Minor. Grad Certificate

Experimental Programs

  • School of Missing Studies
  • Historical Experimental Programs
  • Think Tank for Visual Strategies
  • Dirty Art Dept – Sandberg
  • Contextual Design – Sandberg
  • Thought Experiments in GD Ed book
  • Books from the Future
  • Sundown Schoolhouse
  • D-School

Design PhDs

  • PhD in visual art and design – Leiden

New Institutions

  • Design Academy Eindhoven

Shifting Design Programs (BFA or MFA?)

SAIC: School of the Art Institute of Chicago

  • Rise of MultiDisciplinary Design
  • Ask any student or faculty member about interior design education today and invariably you’ll hear about interdisciplinary collaboration
  • —the merging of specialties
  • —and professional interaction and experience.
  • Students want real world experiences.
  • The time for specialists has passed, and the job market of today is demanding people with unique combinations of skill sets and experiences

SCAD: Savannah College of Art and Design

  • Interdisciplinary Collaboration Studios
  • Interdisciplinary collaborative studios enable students from various departments from around the university to engage in design thinking and creative problem solving
  • These academic exercises prepare students to enter the work force ready to lead or contribute as a team member in real world,collaborative settings

The University of Cincinnati

  • Interdisciplinary Collaboration
  • Reevaluation of curriculum design found at the School rather than individual Program level
  • Switched to the Semester system in 2012
  • Each semester is conceptually divided: form, semiotics, content, exploration, research, usability, synthesis
  • 6th semester course block unifies interdiciplinaruy collaboration and solves logistical problem of
  • differing class times and schedules throughout different disciplines

Carnegie Mellon: School of Design, Mechanical Engineering, School of Business

  • Inter School Collaboration requirement
  • One of a few programs that are placing an emphasis on the relationship between business and design
  • Learning management through terms of design problem solving

California College of the Arts

  • “Smart SPaces for Learning” Course
  • Unites students from multple programs to designers who see space as a element and designers
  • who see record as a element to redefine classrooms with new forms of spatial, material, virtual, and human/computer interaction.
  • Encourages reevaluation of theory of design/ incorporates progress of technology

North Carolina State University

  • Students learn to be critical users
  • Teaches students to resolve tech issues not before a problem with traditional medium (ex. difference between reading a publication on a screen vs. print)
  • designed to teach student how to anticipate different behaviors from readers
  • Carnegie Mellon: 1st Year Drawing and Visualization Studio
  • Takes students from basic drawing to animation
  • Demonstrates how to see form through use of different tools and how tech can be used in the future

Dave Malouf

  • calls for accesability to resources
  • redesign of the apprenticeship model
  • balance between formal and informal learning to accommodate incfreased need for communication between communities
  • discusses the need for the designer to become a reinvented rennaissance entity
  • 1. We cannot relinquish the craft of making forms as part of the designer’s role at the executive and at the strategic level.
  • 2. Technology has accelerated cultural complexity forcing us to examine relationships between use, consumption, social behaviour and individual meaning.
  • 3. With these changes, come complex environmental, political and economic challenges that we cannot ignore.
  • 4. We must rebuild the apprenticeship model from early preindustrial applied arts in order to supplement lifelong design education.

Rethinking Education

No Right Brain Left Behind: Group that is rethinking creativity in education. Headed by Sir Ken Robinson.

Research Resources

“Design Education of the Future,” ICOGRADA IDA. Malouf, Dave. 2011

“World’s Best Design Schools,” Bloomberg Businessweek. Wong, Vanessa. 30 September 2009

Future of Design Education: Teaching Innovation,” Interior Design. Pepitone, Sara. 1 July 2013.

School at the Art Institute of Chicago: The Rise of Multidisciplinary Design. InteriorDesign.com.Pepitone, Sara. 22 July 2013.

California College of the Arts: Working For and Around New Technologies. InteriorDesign.com. Pepitone, Sara. 22 July 2013.

The Future of Design and Design Education: Strategies for assessing the responsiveness of design programs to the context of practice,” Monzel Hughs, Karen; Anderson, Eric; Davis, Meredith; King Roth, Susan; Weightman, David. October 2011.

 

TAGGED RESEARCH (Tage indicates nature of interest)

Tagged_Research

 

4 Resources    J    b 2

2 responses to “EXAMPLES/MODELS: CONTEMPORARY EXPERIMENTAL (GRAPHIC) DESIGN EDUCATION”

  1. Louise says:

    Please post a comment or reply to the e-mail letting me know that you’re getting updates from the Eduction class site! Thanks!

Leave a Reply

Your email address will not be published. Required fields are marked *